[topics/tags: performance art, art and activism, revolutionary theatre, music, film, resistance, computer art, individual artists, dance, revolution, sculpture, painting, festival]




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Art and Action / Music and Social Movements

[topics/tags: performance art, art and activism, revolutionary theatre, music, film, resistance, computer art, individual artists, dance, revolution, sculpture, painting, festival]


A. Mark Liiv and Jeff Taylor, editors and directors. Reclaim May Day San Francisco 1998. Whispered Media.


Ades, Dawn. 2006. The DADA Reader: A Critical Anthology. University Of Chicago Press.


Anderson, Gillian B. 1977. Freedom's Voice in Poetry and Song. Wilmington, Delaware: Scholarly Resources Inc.

Bakhtin, Mikhail. 1984. Rabelais and His World. Indiana University Press.

Berger, John. Ways of Seeing. NY: Penguin, 1977.

Black Theatre: The Making of a Movement. [videorecording] : California Newsreel. 1992.


Bodek, Richard. 1997. Proletarian Performance in Weimar Berlin: Agitprop, Chorus, and Brecht. Camden House.


Bradley, Laura J. R. 2006. Brecht and Political Theatre: The Mother on Stage. Oxford: Clarendon Press.


Brand, Oscar. 1972. Songs of '76; a Folksinger's History of the Revolution. New York: M. Evans.


Barndt, Deborah, ed. 2006. Wild Fire : Art as Activism.  Sumach Press.

Bentkowska-Kafel, Anna; Cashen, Trish; Gardiner, Hazel. 2005. Digital Art History. University of Chicago.


Brecht, Bertolt. 2000. Brecht on Film and Radio. London: Methuen.


Bryant-Bertail, Sarah. 2000. Space and Time in Epic Theater: The Brechtian Legacy. Camden House.

Bynoe, Yvonne. 2004. Stand and Deliver: Political Activism, Leadership, and Hip Hop Culture. Soft Skull Press.



Carlson, Marvin. 2003. Performance: A Critical Introduction. 2nd ed. Routledge.


Chandler, Annmarie and Neumark, Norie, eds.   2005. .At a Distance : Precursors to Art and Activism on the Internet. MIT Press.

Cheney, Sheldon. 1970. The Art Theatre: A Discussion of Its Ideals, Its Organization, and Its Promise As a Corrective for Present Evils in the Commercial Theatre. with Sixteen Photographs of Productions at the Arts and Crafts Theatre of Detroit. St. Clair Shores: Scholarly Press.


De Witt, Samuel Aaron. 1933. Rhapsodies in Red, Songs for the Social Revolution. N.Y: Rand School Press.


Deutsche, Rosalyn. 1998. Evictions: Art and Spatial Politics. New Ed. The MIT Press.


Dolan, Jill. 2005. Utopia in Performance: Finding Hope at the Theater. University of Michigan Press.


Ehrenreich, Barbara. 2007. Dancing in the Streets: A History of Collective Joy. 1st ed. New York: Metropolitan Books.


El Teatro Campesino: The Evolution of America's First Chicano Theatre Company, 1965-1985. Limited ed., San Juan Bautista: El Teatro. 1985.


Fisher, James, ed. 2006. Tony Kushner: New Essays on the Art And Politics of the Plays. McFarland & Company.


Flam, Jack D., and Robert Motherwell. 2007. The Dada Painters and Poets: An Anthology, Second Edition. Belknap Press.


Fluxus Portal. http://www.fluxus.org/ (Accessed January 30, 2008). [Excellent site for more contemporary artists.]


Foster, Hal, and John Wilmerding. 2007. Pop Art: Contemporary Perspectives. Princeton University Art Museum.


Foster, Stephen C. ed. 2000. Hans Richter : Activism, Modernism, and the Avant-garde. MIT Press.

Fowler, Kenneth. 1991. Received Truths: Bertolt Brecht and the Problem of Gestus and Musical Meaning. New York: AMS Press.


Fraden, Rena. 2001. Imagining Medea: Rhodessa Jones and Theater for Incarcerated Women. Chapel Hill, [N.C.]: University of North Carolina Press.


Golden, Eve. 2007. Vernon and Irene Castle's Ragtime Revolution. Lexington, Ky: University Press of Kentucky.


Gómez-Peña. Guillermo, ed. Elaine Peña. 2005. Ethno-Techno: Writings on Performance, Activism and Pedagogy. Routledge.

Goodman, L. 1998. The Routledge Reader in Gender and Performance. 1st ed. Routledge.


Goorney, Howard and Ewan MacColl, eds. 1986. Agit-Prop to Theatre Workshop: Political Plays, 1930-50. Manchester, UK: Manchester University Press.


Hans, James S. 1981. The Play of the World, Amherst: University of Massachusetts Press.


Heynen, Hilde, and Hubert-Jan Henket. 2002. Back from Utopia: The Challenge of the Modern Movement. Uitgeverij Publishers.


Holderness, Graham. 1992. The Politics of Theatre and Drama. Macmillan.


New Ways of Seeing Picasso, Braque, and the Cubist Revolution. [video recording] Museum of Modern Art: Home Vision [distributor]. 1990.


Jeongwon, Joe and Rose Theresa, eds. 2002 Between Opera and Cinema. New York: Routledge.

Kandinsky, Wassily. 1983. Kandinsky: Russian and Bauhaus Years, 1915-1933. Solomon R. Guggenheim Foundation.


Kaye, Deena. 1992. Sound and Music for the Theater. New York: Back Stage Books.


Kershaw, Baz. 1999. The Radical in Performance: Between Brecht and Baudrillard. London: Routledge.


Kester, Grant H. 1998. Art, Activism, and Oppositionality: Essays from Afterimage. Duke University Press.

Knowles, Ric. 2004. Reading the Material Theatre. New Ed. Cambridge University Press.


Bettina Gray Speaks with Luis Valdez. Films for the Humanities & Sciences. 1993.


Kuhle Wampe Oder, Wem Gehört Die Welt. Lear Media. 2003.


Livingstone, Marco. 2000. Pop Art: A Continuing History. New Ed. Thames & Hudson.


Locke, Brian S. 2006. Opera and Ideology in Prague: Polemics and Practice at the National Theater, 1900-1938. University of Rochester Press.


Ludwig, Kelly. 2007. Detour Art: Outsider, Folk Art, and Visionary Environments Coast to Coast - Art and Photographs from the Collection of Kelly Ludwig. Kansas City Star Books.


Lydon, Michael. 2003. Flashbacks: Eyewitness Accounts of the Rock Revolution, 1964-1974. New York: Routledge.


Madoff, Steven Henry. 1997. Pop Art: A Critical History. 1st ed. University of California Press.


Maizels, John. 2002. Raw Vision: Outsider Art Sourcebook. Raw Vision Ltd.


Malott, Curry. 2004. Punk Rockers' Revolution: A Pedagogy of Race, Class, and Gender. New York: Peter Lang.


McCarthy, David. 2005. Pop Art. Tate Gallery.


Nawrocki, Norman. 2003. The Anarchist and the Devil Do Cabaret. Black Rose Books.


New Ways of Seeing Picasso, Braque, and the Cubist Revolution. Museum of Modern Art: Home Vision [distributor]. 1990.


Ogbar, Jeffrey O. G. 2007. Hip-hop Revolution: The Culture and Politics of Rap. Lawrence: University Press of Kansas.


Online Archive of California. Photograph Collection on Katherine Dunham. http://lcweb2.loc.gov/diglib/ihas/html/dunham/dunham-timeline.html


Otto, Elizabeth. 2006. Tempo, Tempo! The Bauhaus Photomontages of Marianne Brandt. Bilingual. Jovis.


Parker, Roger and Mary Ann Smart, eds. 2001. Reading Critics Reading: Opera and Ballet Criticism in France from the Revolution to 1848. Oxford: Oxford University Press.


Pavis, Patrice. 2003. .Analyzing Performance: Theater, Dance, and Film. University of Michigan Press.

Pielke, Robert G. 1986. You Say You Want a Revolution: Rock Music in American Culture. Chicago: Nelson-Hall.


Piscator, Erwin. 1978. The Political Theatre. New York: Avon Books.


PK. 2007. BibliOdyssey: Amazing Archival Images from the Internet. Fuel Publishing.


Poggioli, Renato. 2003. The Theory of the Avant-Garde. Harvard University Press.


Polan, Dana B. 1985. The Political Language of Film and the Avant-Garde. Ann Arbor, MI: UMI Research Press.


Potash, Chris, ed. 1997. Reggae, Rasta, Revolution: Jamaican Music from Ska to Dub. New York: Schirmer Books.


Powrie, Phil and Robynn Stilwell, eds. 2008. Composing for the Screen in Germany and the USSR: Cultural Politics and Propaganda. Bloomington: Indiana University Press.


Reed, T.V.   2005. The Art Of Protest: Culture And Activism From The Civil Rights Movement To The Streets Of Seattle. University of Minnesota Press.

Rexer, Lyle. 2005. How to Look at Outsider Art. Harry N. Abrams.


Rhodes, Colin. 2000. Outsider Art: Spontaneous Alternatives. 1st ed. Thames & Hudson.


Sakolsky, Ron and Fred Wei-Han Ho. 1995. Sounding Off!: Music As Subversion/resistance/revolution. Brooklyn, N.Y: Autonomedia.


Shank, Theodore. 2002. Beyond the Boundaries: American Alternative Theatre (Theater: Theory/Text/ Performance). University of Michigan.


Schechner, R. 2003. Performance Theory. 2nd ed. Routledge.


Schechner, Richard. 2006. Performance Studies 2E: An Introduction. 2nd ed. Routledge.


Schroeder, David. 2002. Cinema's Illusions, Opera's Allure. New York: Continuum.


Sheinberg, Esti. 2000. Irony, Satire, Parody and the Grotesque in the Music of Shostakovich -
A Theory of Musical Incongruence.
Ashgate Publishing Ltd, England.


Smith, Craig. 2007. Sing My Whole Life Long : Jenny Vincent's Life in Folk Music. University of New Mexico Press.


Tambling, Jeremy. 1987. Opera, Ideology and Film. New York: St. Martin's Press.


Tatlow, Antony. 2001. Shakespeare, Brecht, and the Intercultural Sign. Durham [N.C.]: Duke University Press.


Taylor, Diana. 2003. The Archive and the Repertoire: Performing Cultural Memory in the Americas. Duke University Press.


Taylor, Marvin J., ed. 2006. The Downtown Book: The New York Art Scene, 1974-1984. Princeton, N.J: Princeton University Press.


Thompson, Dave. 2003. The Dark Reign of Gothic Rock: In the Reptile House With the Sisters of Mercy, Bauhaus and the Cure. Helter Skelter Publishing.


Thomson, Peter and Glendyr Sacks, eds. 2006. The Cambridge Companion to Brecht. 2nd ed. Cambridge University Press.


Turner, Victor. 1982. From Ritual to Theatre: The Human Seriousness of Play. PAJ Publications.


Turner, Victor. 1988. The Anthropology of Performance. New Ed. PAJ Publications.


Tzanelli, Rodanthi. 2007. The Cinematic Tourist: Explorations in Globalization, Culture and Resistance. London: Routledge.


Tzara, Tristan. 1981. Seven Dada Manifestos and Lampisteries. New Ed. Calder Publications.


United States. 1976. The Music of George Washington's Time. New York: AMS Press.


Unwin, Stephen. 2005. A Guide to the Plays of Bertolt Brecht. London: Methuen.


Weltge-Wortmann, Sigrid, and Sigrid Weltge. 1998. Bauhaus Textiles: Women Artists and the Weaving Workshop. New Ed. Thames & Hudson.


White, Curtis. 2006. The Spirit of Disobedience: Resisting the Charms of Fake Politics, Mindless Consumption, and the Culture of Total Work. Polipoint Press.


Whiting, Cecile. 1998. A Taste for Pop: Pop Art, Gender and Consumer Culture. Cambridge University Press.


Wikander, Matthew H. 1986. The Play of Truth & State: Historical Drama from Shakespeare to Brecht. Baltimore: Johns Hopkins University Press.


Designed Environments as Scenes for Thinking, Making, and Doing


[topics: urban studies, buildings, embassies, Olympic villages, gardens/landscapes, tunnels, parking lots, prisons, museums, libraries, architecture, theatres, stages, crafts and craftmenship, Bauhaus, Arts and Crafts, modern art and artists, computer environments, objects and ideology of everyday life, material culture, brands and logos]


Adamson, Glenn. 2007. Thinking Through Craft. Berg Publishers.


Agrawal, Kanu, Melanie Domino, Edward Richardson, and Brad Walters. 2007. Perspecta 39 "Re_Urbanism: Transforming Capitals": The Yale Architectural Journal. The MIT Press.


Alberti, Leon Battista. 1991. On the Art of Building in Ten Books. The MIT Press.


Alexander, Christopher. The Nature of Order: An Essay on the Art of Building and the Nature of the Universe. Book One: The Phenomenon of Life. Berkeley, CA: Center for Environmental Structure, 2005.


Anderson, Graham. 1994. The Channel Tunnel Story. 1st ed. London: E & FN Spon.


Anna, Fariello M., and Paula Owen. 2005. Objects and Meaning: New Perspectives on Art and Craft. New Ed. The Scarecrow Press, Inc.


Ashbee, Felicity. 2002. Janet Ashbee: Love, Marriage, and the Arts and Crafts Movement. 1st ed. New York: Syracuse University Press.


Asquith, L. 2006. Vernacular Architecture in the 21st Century: Theory, Education and Practice. 1st ed. Taylor & Francis.

Banham, Reyner. 2001. Los Angeles: The Architecture of Four Ecologies. University of California Press.

Bartram, Alan. 2004. Bauhaus, Modernism, and the Illustrated Book. Yale University Press.


The Bauhaus: Masters and Students by Themselves. Conran Octopus. 1992.


Beardsley, John. 2003. Gardens of Revelation: Environments by Visionary Artists. New Ed. Abbeville Kids.


Beaver, Patrick. 1973. A History of Tunnels. Secaucus, N. J: Citadel Press.

Berkman Society for Internet and Society at Harvard Law School: http://h2obeta.law.harvard.edu/59317 [excellent website for articles on urban studies]


Benhabib, Seyla. 1986. Critique, Norm, and Utopia. Columbia University Press.
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