Projecting Words, Writing Images: Intersections of the Textual and the Visual in American Cultural Practices

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Fathers in Victorian Fiction

Natalie McKnight, 978-1-4438-3291-5

This book examines the changing roles of fathers in the nineteenth century as seen in the lives and fiction of Victorian authors. Fatherhood underwent unprecedented change during this period. The Industrial Revolution moved work out of the home for many men, diminishing contact between fathers and their children. Yet fatherhood continued to be seen as the ultimate expression of masculinity, and being involved with the lives of one’s children was essential to being a good father. Conflicting and frustrating expectations of fathers and the growing disillusionment with other paternal authorities such as church and state yielded memorable portrayals of fathers from the best novelists of the age.

The essays in this volume explore how Victorian authors (the Brontës, Dickens, Gaskell, Trollope, Eliot, Hardy, and Elizabeth Sewall and Mary Augusta Ward) responded to these tensions in their lives and in their fiction. The stern Victorian father cliché persisted, but it was countered by imaginative, involved, albeit faulty fathers and surrogate fathers. This volume poses fathering questions that are still relevant today: What does it mean to be a good father? And, with distrust in patriarchal authorities continuing to increase, are there any sources of authority left that one can trust?

How to Do Things with Tense and Aspect: Performativity before Austin

Igor Ž. Žagar and Matejka Grgič, 978-1-4438-3212-0

Almost all verbs in Slovene (one of the least researched Slavic languages) have two aspectually different forms, the perfective (PF) and the imperfective (IF). But in institutional settings or settings strongly marked with social hierarchy, only the second, the imperfective form, is used by Slovene speakers in a performative sense.

Why is that? And what, in fact, has a Slovene speaker said if (s)he has used the imperfective verb in “performative circumstances”? No doubt that (s)he may be in the process of accomplishing such an act. But at the same time, having the possibility of choosing between the PF and the IF form, (s)he may have also indicated that this act hasn’t been accomplished (yet): as long as we are only promising (IF), we have not really promised anything yet, and if we are only promising (IF), we cannot take anything as having been really promised. That was how Stanislav Škrabec, the 19th century Slovene linguist and the central figure of this book, saw the role of verbal aspect within language use.

Being caught in such a dilemma, a question inevitably arises: how do we accomplish an act of promise (or any other performative act) in Slovene? That dilemma – whether to use the perfective or imperfective aspect when accomplishing performative acts – may seem more than artificial at first, but it was very much alive among Slovene linguists at the end of the 19th century. And it was that very dilemma that quite unexpectedly gave rise to the foundations of performativity in Slovene, half a century before Austin!

In the present book, the authors try to shed light on this controversy that involved different Slovene scholars for about thirty years, and propose a delocutive hypothesis as a solution for the performative dilemma this controversy unveiled.

Knowing Their Place? Identity and Space in Children’s Literature

Terri Doughty and Dawn Thompson, 978-1-4438-3214-4

Traditionally in the West, children were expected to “know their place,” but what does this comprise in a contemporary, globalized world? Does it mean to continue to accept subordination to those larger and more powerful? Does it mean to espouse unthinkingly a notion of national identity? Or is it about gaining an awareness of the ways in which identity is derived from a sense of place? Where individuals are situated matters as much if not more than it ever has. In children’s literature, the physical places and psychological spaces inhabited by children and young adults are also key elements in the developing identity formation of characters and, through engagement, of readers too. The contributors to this collection map a broad range of historical and present-day workings of this process: exploring indigeneity and place, tracing the intertwining of place and identity in diasporic literature, analyzing the relationship of the child to the natural world, and studying the role of fantastic spaces in children’s construction of the self. They address fresh topics and texts, ranging from the indigenization of the Gothic by Canadian mixed-blood Anishinabe writer Drew Hayden Taylor to the lesser-known children’s books of George Mackay Brown, to eco-feminist analysis of contemporary verse novels. The essays on more canonical texts, such as Peter Pan and the Harry Potter series, provide new angles from which to revision them. Readers of this collection will gain understanding of the complex interactions of place, space, and identity in children’s literature.

Essays in this book will appeal to those interested in Children’s Literature, Aboriginal Studies, Environmentalism and literature, and Fantasy literature.

Latest Trends in ELF Research

Alasdair Archibald, Alessia Cogo and Jennifer Jenkins, 978-1-4438-3299-1

English as a Lingua Franca, or ELF for short, is currently one of the most dynamic topics in the fields of applied and socio-linguistics and English Language Teaching. It has been a thriving field of research for the last twenty years with a growing number of books and journals dedicated to the subject. The field has also seen the foundation of an annual international ELF conference series, which started in 2008 and attracts growing numbers year on year. This book has developed out of contributions to the Second International ELF conference held in Southampton (UK) in 2009. The papers in this volume provide new insights into ELF, by presenting and exploring the implications of some of the latest findings of empirical research in key ELF research areas including business and academic ELF, intercultural communication, language attitudes and ideologies, code-switching, and accommodation. These papers will have a broad appeal among applied- and socio-linguists, both academics and under/post-graduate students, as well as ELT practitioners around the world. They will also be of interest to language planners because of the potential of the research to inform English language policies and practices.

Projecting Words, Writing Images: Intersections of the Textual and the Visual in American Cultural Practices

John R. Leo and Marek Paryz, 978-1-4438-3293-9

This compilation of essays by 20 scholars trained in comparative literatures, art history, critical theory, and American cultural studies further explores and expands the spirited and energetic field of visual cultural studies and its cognate or supplemental projects of “visual practices” and “visual literacy.” Their topics and perspectives engage contemporary re-theorizations of “text,” of “word” and “image,” while their alignments, ruptures, slippages and aporias fall across a range of media practices and institutions. These include photography and exhibition, film, television, entertainment, journalism, poetry and literature as visual and spectacular performances, and graphic narratives, but also their discursive intersections with “race” and ethnicity, their conjugations of gender, their tense and constitutive relations within multiple public spheres and (post)modernities.

Resounding Pasts: Essays in Literature, Popular Music, and Cultural Memory

Drago Momcilovic, 978-1-4438-0032-7

The field of memory studies has long been preoccupied with the manner in which events from the past are commemorated, forgotten, re-fashioned, or worked through on both the individual and collective level. Yet in an age when various modes of artistic and cultural commemoration have begun to overlap with and respond to one another, the dynamics of cultural remembering and forgetting become bound up in an increasingly elaborate network of representations that operate both within and outside temporal, cultural, and national borders.

As publicly circulating texts that straddle the line between cultural artifact and artistic object, both musical and literary works, both individually and often in conjunction with one another, help shape cultural memories and individual experiences of those events. Troping their cultural milieux through specific aesthetic and social forms, genres, and modes of dissemination, music and literature become part of a growing global panoply of raw materials upon which we might begin to pose questions regarding the way we remember, the consequences of sharing and passing on those memories, and the aesthetic and cultural pressures attendant upon the circulation and interpretation of texts that (re-)sound the past.

The Surplus of Culture: Sense, Common-sense, Non-sense

Ewa Borkowska and Tomasz Burzyński, 978-1-4438-3213-7

This multifaceted volume presents the elusive surplus of culture in the spotlight of theory and academic practice. Despite its overtly economic implications, the concept alludes to the added value of sense, common sense and nonsense which is represented as languages of irony, irrationality and absurdity potentially subverting traditional and mainstream “regimes” of culture. Consequently, the “moment of surplus” is inherent in critical interpretation in which supposedly well-entrenched notions suddenly reveal their implicitly shattering and subversive nature.

The surplus of culture dwells at the risky intersection of untamed interpretation and tradition. It is the space of the “third” in which literary canons are re-visited, language reveals its hidden political agendas, the Orient reclaims its own cognitive perspective and established structures of cognition are questioned in the tragic-comic gesture of insight. The volume is a must for scholars and researchers in the fields of cultural studies, literature and arts as well as literary theory.

Toni Morrison’s A Mercy: Critical Approaches

Shirley A. Stave and Justine Tally, 978-1-4438-3300-4

Toni Morrison’s ninth novel, A Mercy, has been received with much acclaim by both the critical and lay reading public. Hailed as her best novel after the award-winning Beloved, most critics to date have concentrated on its setting in the late seventeenth century, a time in which, according to the author herself, slavery was “pre-racial,” a time before the “Terrible Transformation” irrevocably linked slavery to skin-color or “race.” Though a slender, easy to read novel, A Mercy is in fact a richly-layered text, full of multiple meanings and possibilities, a work of art that has only just begun to be “mined” for its critical import. The present volume is the first to deal with these possibilities, presenting a variety of critical approaches that include narrative theory, the eco-critical, the geographical, the allegorical, the Miltonian, the feminist, the metaphorical, and the Lacanian. As such, not only is it conceived to enrich the work of Morrison scholars and students, but also to illuminate the use of critical theory in elucidating a complex literary text. A Mercy clamors for close reading and thoughtful interrogation and promises to reward the perceptive reader.

Transatlantic Literature of the Long Eighteenth Century

Kamille Stone Stanton and Julie A. Chappell, 978-1-4438-3288-5

In 1789, before the abolition of slavery in Great Britain or the United States of America, poet William Blake quietly appealed to the public’s sense of humanity in Songs of Innocence with the poem, “The Little Black Boy.” In that same year, a former slave named Olaudah Equiano was catapulted to fame as a sympathetic face for the abolitionist movement with the publication of his autobiography. Olaudah Equiano became an internationally sought after public speaker and enjoyed the remarkable success of nine editions of his book within the five year span between 1789 and 1794, making him the wealthiest black man in the English-speaking world.

Transatlantic Literature of the Long Eighteenth Century, edited by Kamille Stone Stanton and Julie A. Chappell, contributes to that growing body of nuanced textual criticism seeking to prove that the progress of the anti-slavery movement was actually no single-authored sensation but rather part of a broader transatlantic discourse spanning the entirety of the long eighteenth century.


Counter Terrorism and Social Cohesion

Alperhan Babacan and Hussein Tahiri, 978-1-4438-3292-2

This book critically examines Australia’s counter terrorism measures by looking at the country’s legislative framework within the context of an international law framework and norms relating to human rights. It discusses the Australian governments justifications for the war on terrorism and sociological theories relating to ‘risk society’ as a way to explain Australia’s counter terrorism policies and the impact of the war on terror on social cohesion in Australia. It looks at the adverse impacts of the war on terror on Muslims in Australia and their sense of belonging in a multicultural society and analyses these developments from a sociological perspective. The book also explores the recent shift in the Australian governments’ approach to countering terrorism, a shift from a coercive approach to tackling terrorism to a community engagement approach focused on building relationships and trust with Australia’s diverse communities, particularly the Muslim community.


Academic Days of Timişoara: Language Education Today

Georgeta Raţă, 978-1-4438-3284-7

Academic Days of Timişoara: Language Education Today is a book of the proceedings of the 3rd International Symposium “Language Education Today: Between Theory and Practice” held in Timişoara, Romania, on May 6–7, 2011, under the auspices of the Romanian Academy. It will appeal to teachers of modern languages no matter the level of instruction. The papers it contains deal with two main approaches of the teaching of languages in Europe, Asia, North America and South America: linguistics (theoretical linguistics: English, French, German, Serbian, and Swiss French; descriptive linguistics: Albanian, English, French, German, Italian, Romanian, Spanish and Serbian; applied linguistics: Albanian, Aromanian, Bahasa Malaysia, Bosnian, Croatian, English, German, Hungarian, Italian, Persian, Russian, Serbian, Spanish, and Turkish) and languages for specific purposes (Croatian, English, French, German, Japanese, Romanian, Russian, Ruthenian, Serbian, and Spanish).

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Projecting Words, Writing Images: Intersections of the Textual and the Visual in American Cultural Practices icon`Visual Images within Accounting Annual Report: a critical Discourse Analysis

Projecting Words, Writing Images: Intersections of the Textual and the Visual in American Cultural Practices iconPictures into words: Images in Contemporary French Fiction University of Nebraska Press

Projecting Words, Writing Images: Intersections of the Textual and the Visual in American Cultural Practices iconBeyond Words: The Othering Excursion in Contemporary American Literature

Projecting Words, Writing Images: Intersections of the Textual and the Visual in American Cultural Practices icon10550 A: Программирование на языке Visual Basic с помощью Microsoft Visual Studio 2010
В курсе рассматривается синтаксис языка Visual Basic, структура программ и их создание с использованием Microsoft Visual Studio 2010...

Projecting Words, Writing Images: Intersections of the Textual and the Visual in American Cultural Practices iconAxe de Recherche b : Analyse, Interprétation et Diffusion d’Images Thème : Analyse multi-images Mars 2000

Projecting Words, Writing Images: Intersections of the Textual and the Visual in American Cultural Practices icon44. 1 For the purpose of this regulation, certain terms and words are hereby defined as follows. Words used in the present tense will include the future; the

Projecting Words, Writing Images: Intersections of the Textual and the Visual in American Cultural Practices iconЮ. Муравьев Истина. Культура. Идеал
Родины – коммунизма – Культуры – Духовности – Истины»! Самая непереносимая вещь – скучная истерика. Истина, культура, идеал. Words,...

Projecting Words, Writing Images: Intersections of the Textual and the Visual in American Cultural Practices iconMy books and expository writing as well as my public talks and columns led to my receiving the 2003 award for promoting public understanding of science from the American Association for the Advancement of Science. (Previous winners include Carl Sagan, E. O. Wilson, and Anthony Fauci.)

Projecting Words, Writing Images: Intersections of the Textual and the Visual in American Cultural Practices iconCritical reading of: critical theory, post-structuralism, aesthetic and social theory, communication theory, media theory, theory of visual culture, aesthetic and political theory, digital media, cultural studies, sociology. A compilation from a number of internet sites listed and acknowledged

Projecting Words, Writing Images: Intersections of the Textual and the Visual in American Cultural Practices iconSection 1: Multicultural, Cross-Cultural, and Cultural Psychology

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